Fantasy Anthologies

Crossing the boundaries between fabulist literature, science fiction, and magical realism, the stories in this collection offer a valuable glimpse into the evolution of Carol Emshwiller’s ideas and style during her more than 50-year career. Influenced by J. G. Ballard, Steven Millhauser, Philip K. Dick, and Lydia Davis, Emshwiller has a range of works that is impressive and demonstrates her refusal to be labeled or to stick to one genre. This exhilarating new collection marks the first time many of the early stories have been published in book form and is evidence of the genius of Emshwiller, one of America’s most versatile and imaginative authors.

From the familial estrangement of the Shirley Jackson Award–winning opener "The Pelican Bar" to the heartbreaking loss of "King Rat," Karen Joy Fowler measures the human capacities for hope and despair, brutality and kindness.

The fiction of Jonathan Carroll occurs at the point where the ordinary becomes extraordinary, the commonplace becomes unsettling, and yet where we nonetheless always recognize the stories being told because they are always about ourselves and what happens in our deepest, sometimes darkest hearts.

Always better known as a novelist, Carroll has also created a compelling and deeply moving body of short fiction. Perhaps more eclectic and slant-wise than some of his novels, stories like World Fantasy Award winning 'Friend's Best Man' and Pushcart Prize and Grand Prix de l'Imaginaire honouree 'Home on the Rain' stand amongst his very best work.

The Woman Who Married a Cloud: Collected Stories is the best and most complete collection of Jonathan Carroll's fiction ever published. It collects 38 stories written across a thirty year long career, a number appearing here in print for the first time, in a single landmark volume that stands as the perfect introduction to this unique and wonderful writer.

In Caitlin R. Kiernan's The Ammonite Violin & Others, one of contemporary dark fantasy's most bewitching and distinctive voices is back with another banquet of the weird and unexpected. In his introduction, Jeff VanderMeer (City of Saints and Madmen, Finch) writes, Kiernan creates her own light in this remarkable collection, and shines it on dark places. In doing so, she gives us gritty, lyrical, horrible, beautiful truths.

In The Ammonite Violin & Others, the author rises to meet the high expectations she set with such collections as Tales of Pain and Wonder, A is for Alien, and the World Fantasy Award-nominated To Charles Fort, With Love. Within these pages, you ll discover a dazzling suite of stories situated on the borderlands between the unspeakable and the erotic, the grotesque and the sublime. Here are stories of dream and metamorphosis, strange lands and beings existing beyond the veil of death and beyond this earth. Here is a selkie who's lost her sealskin, a woman with a black hole in her heart, a fairie girl fallen to the Queen of Decay, the descent of a modern-day Orpheus, and a killer who has fashioned the most exquisite musical instrument from the remains of one of his victims. Here are dreams, nightmares, and worse things yet.

The Ammonite Violin & Others is comprised of stories first published in the subscription only Sirenia Digest, run by Caitlin for her most devoted readers.

The fairy tale lives again in this book of forty new stories by some of the biggest names in contemporary fiction.

Michael Cunningham, Francine Prose, Aimee Bender, Kelly Link, Jim Shepard, and more than thirty other extraordinary writers celebrate fairy tales in this thrilling new volume. Inspired by everything from Hans Christian Andersen's "The Snow Queen" and "The Little Match Girl" to Charles Perrault's "Bluebeard" and "Cinderella" to the Brothers Grimm's "Hansel and Gretel" and "Rumpelstiltskin" to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico, here are stories that soar into boundless realms, filled with mischief and mystery and magic, and renewed by the lifeblood of invention. Although rooted in hundreds of years of tradition, they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature.